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Thursday, November 03 2016 / Published in General, Weekly Feature

Architect Bobby McAlpine: Drafting Dreams into Exquisite Designs

 

Bobby McAlpine designed this barn outside of Nashville, Tennessee, for clients who wanted living space as well as entertaining areas that could accommodate large parties. Photo by Bruce Cain of Elevated Lens Photography

Bobby McAlpine designed this barn outside of Nashville, Tennessee, for clients who wanted living space as well as entertaining areas that could accommodate large parties.
Photo by Bruce Cain of Elevated Lens Photography

By Lauren R. Giannini

Imagine this scenario: You and your spouse decide to build the house and barn of your dreams. You find a young architect, discuss what you want, visit the site, and wait for his design. It’s worth it, because his vision is even better than your dreams.

That’s what happened, 25 years ago, when architect Bobby McAlpine made the dreams of a horse-loving couple come true. “Early in my career, I designed a house that was over their horses because the woman didn’t want to be any further away from them than that,” he said. “It was a darling little house — a gable-roofed, petite house that fit exactly over the horses’ stalls. It wasn’t a barn; it was a house that had horses in it.”

Barn and guest house in Tennessee — designed by Bobby McAlpine Photo by Bruce Cain of Elevated Lens Photography

Barn and guest house in Tennessee — designed by Bobby McAlpine
Photo by Bruce Cain of Elevated Lens Photography

It was, of course, a great success with all of its occupants. Since then, Bobby has designed other barns that merit mention even though they’re outnumbered by homes in his extensive portfolio. His intuitive understanding of what comprises a home, his quest for truth and order in the design, his passion for providing people with what they want and need even if they can’t articulate their innermost thoughts — these are just a few of the reasons why his reputation has grown by leaps and bounds, making him one of the top contemporary architects.

Architect Bobby McAlpine Photo courtesy of McAlpine

Architect Bobby McAlpine
Photo courtesy of McAlpine

Several clients, who bought big, beautiful properties, called Bobby to design their barns, which they wanted to build before the main house. “Once they have the barn built, they start collecting all of the toys, all of the equipment they need to run the farm and maintain it,” said Bobby. “Then, we start building sheds and, before you know it, they never get around to building the main house.” He laughed, and added, “This has happened to us more than once. Other clients developed an apartment in the attic [hayloft] of the barn over the horses. That’s happened two times, at least.”

Bobby tries to retain the essence of a building, barn or church, no matter how it’s being re-purposed. While renovation is a small part of his practice, he has turned barns and farm buildings into party palaces and guest lodging, but he maintains a healthy respect for the intrinsic nature of the original structure. He sees the similarity between barns and churches. “They’re essentially the same building,” said Bobby. “The big surround, the wide aisles – it’s the same language. I think that whatever constitutes that beautiful spiritual balance in a church also exists in a barn. It’s something I always want to bow to.”

The living room in Lida’s home — which is connected to her two-stall barn — reflects her love for horses. Photo by Kris Kendrick

The living room in Lida’s home — which is connected to her two-stall barn — reflects her love for horses.
Photo by Kris Kendrick

A recent project in Tallahassee involved house-design clients who wanted a barn for their daughters’ show hunters. Bobby looked to his go-to horseperson, Lida Cunningham Sease, one of his staff and a lifelong equestrian, to interpret the barn design for McAlpine. Lida’s design for her family’s home and barn reflects Bobby’s influence as well as her own expertise and experiences in horse-keeping and house design.

“When I’m in a meeting with Bobby and a client, I spend the entire time writing down quotes, because the language Bobby uses is so perfect in the way that it communicates the complexity, the beauty and the feeling of what he’s trying to achieve,” said Lida. “My job is to take the magic and turn it into reality — a mixture and weaving of all of Bobby’s vision and his magic, my experience, and the client’s wants and needs. That ‘built form’ is more than the sum of all its parts, and I love when it all comes together.”

A restored slide illustrates Bobby’s first project 25 years ago. His career kicked off with an equestrian flair when he was asked to build a little house over horses. Photo by Greg Tankersley

A restored slide illustrates Bobby’s first project 25 years ago. His career kicked off with an equestrian flair when he was asked to build a little house over horses.
Photo by Greg Tankersley

Child Prodigy

In his bio on www.mcalpinehouse.com, Bobby states: “It is no wonder why I love this work. I am called by houses. I understand them.”

Even before he learned to read and write, Bobby was drawing floor plans. This was his comfort zone, the place where he soothed his sensitive nature by drawing houses that were real homes. His family moved six times from one small town to another because of his father’s work in the lumber business. They lived in soulless dwellings that provided Bobby with a “show and tell” of what doesn’t work and why. He had no interest in school sports or clubs or extracurricular activities. He just kept designing houses.

“One day, I was showing something to my mother — again — and she said, ‘Roll up your drawing, get on your bike and ride it to that architect downtown,’” recalled Bobby. “So I did and he hired me as a draftsman. I was 14 or 15 and, at the time, we lived in Haleyville, Alabama, a town of about 3,000 with one architect. After he hired me, the high school I went to finagled a way for me to get out of class at 1:00 every day, two class periods earlier than anybody else, so I could go to work in the architect’s office. I also continued doing all my personal drawing.”

A major turning point in Bobby’s life took place when his parents, Andy and Louise McAlpine, decided to build a family home in Haleyville. His father, who managed sawmills and felt at ease with lumberjacks, had no clue how to relate to his son, a geeky boy who spent his time drawing houses. It was a challenge, of sorts, when Andy announced that he would build the house that Bobby designed for his parents and older sister. The success of their venture earned Bobby his father’s wholehearted approval and cemented their relationship better than ever.

The new family home provided living proof that Bobby, who was only 16 when the house was completed, was on the right track, career-wise. By the time he got to college to study architecture, he was very experienced, albeit mostly self-taught. “I had been traipsing through construction sites, being fascinated with wood-framed houses, learning how to put things together, and how to draw them,” said Bobby.

Bobby’s designs extend to this farm building on a property outside of Memphis, Tennessee. Photo by Gary Walpole Photography

Bobby’s designs extend to this farm building on a property outside of Memphis, Tennessee.
Photo by Gary Walpole Photography

The Spirit of Design

“I have empathy for the people who sit in front of me and I have faith that they are my next teacher,” said Bobby. “What they want, even if they don’t know how to ask for it or describe it, is within them somewhere, and I find out a lot just listening to them. There’s a repository in me of everything I ever noticed that may or may not be tapped into or used and, often, when someone’s sitting there, talking to me, there are little people inside me holding their hands up who’ve never spoken before, going: ‘Uh, I’ve got this, I know what they’re talking about — if you’ve never done this thing before in your life, now is the time!’ It’s great fun to almost be puppeted by that, to be stimulated by the client and figure what to pull out of myself. The solution is always a combination of things.”

Guest house on the Nashville property. Photo by Bruce Cain of Elevated Lens Photography

Guest house on the Nashville property.
Photo by Bruce Cain of Elevated Lens Photography

Anytime Bobby visits a property, the first thing he does is set up the furniture and arrange the camp in his head. “I’m not really thinking architecturally,” he said. “I’m thinking about where do I want to sit and look, where do I want to build a fire, who do I want around me and how close. The systems begin to fall into place, and alignments, spaces and postures start to take shape and that becomes a layout, a floor plan that eventually I wonder what it looks like. But I don’t worry at all about what the architectural shape looks like in the beginning.”

What’s important to Bobby is the spiritual connection between the house and its occupants. He wants home to be a haven of truth, beauty and protection — this is true whether you seek his design for a house, barn, farm outbuildings, rural or seaside getaway, even a family café. He wants your home to be the place you love most to run to, the place that always promises you comfort.

McAlpine has offices in Montgomery, Alabama; Nashville; New York City; and Atlanta. Visit their website at www.mcalpinehouse.com.

 

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Tagged under: architecture, bobby mcalpine, horse barn, lauren r. giannini

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A column from Liz Halliday-Sharp herself The spor A column from Liz Halliday-Sharp herself 
The sport of eventing is a demanding and mentally challenging discipline that requires a combination of physical and mental fortitude from both the rider and horse. While having a coach can be incredibly beneficial, self-coaching can also play a crucial role in a rider’s success.

I think that given the opportunity, most riders would like to be coached every day. The reality of life in the horse world, however, is that the majority of us need to absorb as much from the lessons we have on a limited basis and then practice those skills at home to improve.

When I am riding, I try to have a plan for the horses each day and focus on what I’m looking to achieve. It’s important to be aware of the steady improvements rather than trying to solve everything all at once. This is especially important when teaching horses new movements or exercises that they might struggle with, and we need to give them time to learn and understand what we are asking for.

I have a couple of quotes that I use regularly when I’m teaching, and these are mottos that I hold myself to in my daily work as well.

The first is, “If you do what you have always done, you will get what you have always gotten.” This is a quote that was said to me many years ago when I was still motor racing and I keep it in the back of my mind each day. It’s easy to get stuck doing the same thing every day with your horse and bad habits are hard to break, from both riders and horses!

This leads me to my next quote, which is, “If what you are doing isn’t working, try something else.” It really is as simple as that! Many riders I see keep asking a horse to do something the same way over and over with an ongoing negative response and they wonder why things don’t get better. In these circumstances, I recommend that the rider change something, even if it’s wrong.

Read the full article by clicking the link in our bio! Don’t forget to keep your eye out for our April subscription!
📸Photo by Alex Banks Photography
The✨April issue✨ of Sidelines Magazine is here The✨April issue✨ of Sidelines Magazine is here and we are so excited to feature three-day eventer Liz Halliday on the cover! Big thanks to photographer Melissa Fuller for the beautiful photo of Liz and Cooley Nutcracker- Liz Halliday-Sharp - HS Eventing. Liz and her horses have taken the eventing world by storm - and find out how Liz is at the top of the sport as a female eventer! As the horse world gears up for the Land Rover Kentucky Three-Day Event 2023, it's the perfect time to enjoy our eventing issue!! We also feature eventer and woman entrepreneur Frankie Thieriot Stutes, who is not only an eventer, but also runs Athletux and FRANKIE CAMERON handbags and accessories. And don't miss our eventing story on Robert "Bobby" Costello, who will be leading the US Eventing team to the 2024 Paris Olympics- and US Equestrian has named Bobby the eventing technical advisor/chef d'equipe!! Liz, Frankie and Bobby all have GREAT stories - don't miss any of them and don't forget to get your tickets for the Land Rover Kentucky Three-Day event! We are also excited to introduce you to hunter-jumper rider Casey Lorusso Smith, who is not only a talented rider but also a psychotherapist and incorporates horses into her career. If you are up for adventure, then read the story on dressage rider Priscilla Baldwin who certainly doesn't let any grass grow under her feet! We also head to the west coast to catch up with hunter-jumper trainer Jim Hagman of Elvenstar Farm, we feature beautiful art by equestrian artist Tammy Tappan, and we get to know Miranda Jones and her family. Miranda is not only an attorney who spends a lot of time in the courthouse, but she's a rider and spends lots of time riding, and is joined by her daughters also! We are excited to feature Stephanie Lightner in our Unbridled column, and don't miss our columnists George Williams, Robert R.L. Jacobs and Margie Sugarman! It's a great issue - and you can read it online, but don't forget to go to the website and order a subscription and get every issue delivered to your mailbox!! Enjoy this issue and enjoy the ride: Link in bio!!
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Marie Meyers has been around the world because of Marie Meyers has been around the world because of dressage, but it’s her farm in Moorpark, California, that has captured her heart. The farm and the business that thrives there represent Marie’s lifelong journey—a journey made up of good friends, spectacular horses and relationships made to last.

Marie was raised in Southern California, and spent her childhood playing just about every sport under the sun, but she didn’t discover riding until she was 14 years old. “I loved animals so much, so I started taking lessons. I did jumping at first, but I was very bad at that, for sure!” Marie laughed.

After some time, Marie moved on to take lessons at Foxfield Riding Academy and began riding dressage. “I fell into dressage by accident,” Marie said, “At the beginning, I thought it was extremely boring, but then I got hooked. By the time I graduated from high school, I had plans to travel to England to work for Franz Rochowansky, a former head of the Spanish Riding School.”

In 1988, Marie’s hard work paid off, and the pair was selected as alternates for the 1988 Summer Olympic Games. “They didn’t take the alternates that year, so we didn’t go to Seoul, but the experience, the training and the European Tour afterwards set me up for the 1990 World Equestrian Games in Stockholm, Sweden,” Marie said.

In addition to having success representing her country, Marie was busy with her life—marriage, a business, teaching lessons and clinics. 

Learn more about Marie in this month's edition of Sidelines Magazine. Click the link in our bio for more 🦄

📸Photos by Lindsey Long Equine Photography, www.lindseylong.com

#dressage #equestrian #horse #horses #horsesofinstagram #dressagehorse #equestrianlife #showjumping #horseriding #equine #pony #pferd #instahorse #dressur #horselove #eventing #equestrianstyle #cheval #dressagerider #horselife #horselover #pferde #love #riding #jumping #pferdeliebe #horseofinstagram #horsebackriding #paard #dressurpferd
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